100 copies Digisleeve 4 panels plus 20 pages booklet with huge artwork illustrating the full concept and each's song inspiration. Lyrics are in italian language, so we provided to a non-literal translation in English language to let you get the full sense of the insane tales included.
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about
The original inspiration for IL DIVORATRE DI MONDI (The Worlds' eater) originates from the visualization of a Minor God who wanders from world to world, from universe to universe, riding a huge pig which feeds on these worlds until it consumes them. One of the best representations of this Parasite God, the Plague Bearer, is given to us by F.W. Murnau in (1922) with his "Nosferat". This obscure iconic ghoul’s features were confirmed by W. Herzog in (1979) with the Klaus Kinsky’s actorial performance that sweeps away any doubt and every possible intermediate interpretation due to the Hammer / Universal brand of the figure of the vampire. Despite the iconic interpretations of Cristopher Lee and Bela Lugosi, the extreme decadence of Murnau's Nosferatu, which is devoid of every kind of seductive charm, depicts an aristocracy which is displayed for what it was: the legacy of alien deities to whom the humanity is little more than a quiet meal. The stormy sea crossed in the night by a phantom vessel carrying the germ of Consumption is the perfect metaphore of the peregrination into the cosmic void, it depicts the silent but unsafe wandering into the abyss of empty black that separates one universe from another. You can figure out the Parasite’s work of destruction as to the progressive and inexorable expansion of a black hole wich devours everything, the light itself. And since the world outside of us is a matter of perception, the inexorable crumbling of a mind in agony stands for the Consumption of the universe that the mind mirrored in itself. Finally, to collect the emotions of this dying God, among the inhabitants of this mirror construct, a Prophet is born to sing his death.
lyrics
vele strappate, gonfie del respiro di terra umida
nera di sangue e viva di larve sottili e bianche
un sogno immenso e oscuro l’oceano che attraverso
in questo vascello ebbro di distruzione e morte
soffio nel flauto d’osso
e porto nebbia
nebbia
soffio nel flauto d’osso e porto nebbia
nebbia
e mosche e topi
nebbia
e mosche e topi
rapidi passi e silenziosi sul selciato della vostra città
ombre si allungano adunche sui muri di mattoni
quel nero abisso che è nel mio ventre
cammina
cammina tra voi
il mio profeta tra gli infelici declama lo sciagurato salmo
larve, uova, ali formate
Renfield divora piccole vite
sono un respiro trattenuto, la palpebra immobile:
l’occhio che secca e muore
io sono
fiori
fiori di sangue
fiori di sangue nero
io sono fiori di sangue nero tubercolosi e carne marcia
sono l’abisso che invidia la vita
in uno stupro la prende e la consuma
sono un pensiero che fugge, si nasconde dall’orrore
l’ultimo sogno di una mente che muore
e quando
quando una mente muore, l’universo vacilla
this is the kind of blackened extreme metal we like the most: epic and powerful. great guitar work supported by the rhythm section with effective musical taste.last but not least: great italian vocals insania.11
the new standard in (blackened) technical death. Veld got the best of the (polish) scene giving birth to a demon in music.here there is all the range of anger and wrath dessed in a sense of evocation. insania.11
